FLIP

 FLIP
 FLIP

2026/02/24 - 2026/08/23|Store, Yu-Hsiu Museum of Art

Introduction

A decade has passed. In the continuous passage of time, traces of the past never truly disappear but rather randomly seep into each present moment, shaping every coincidence and encounter ahead.

This exhibition, using “flip” as its central theme, employs books from past exhibitions and related design objects as media to redefine these content-rich artifacts. Through visitors’ interventions—such as flipping, reading, examining, and tactile exploration—they are re-experienced and given new meanings. As Mexican conceptual artist Ulises Carrión states, “A book is a sequence of spaces.” When visitors navigate the exhibition and flip through the pages, they perform a physical act, creating a multilayered realm that interweaves materiality, perception, time, and culture.

The concept of “flip” applies not only to books but also to featured artworks, object designs, culinary experiences, and even to different corners of the museum. Even when the process includes brief pauses or gaps, we still engage with it physically, experience it firsthand, and unveil a new landscape of our encounter.

Artists' Profile

A decade has passed. In the continuous passage of time, traces of the past never truly disappear but rather randomly seep into each present moment, shaping every coincidence and encounter ahead.

This exhibition, using “flip” as its central theme, employs books from past exhibitions and related design objects as media to redefine these content-rich artifacts. Through visitors’ interventions—such as flipping, reading, examining, and tactile exploration—they are re-experienced and given new meanings. As Mexican conceptual artist Ulises Carrión states, “A book is a sequence of spaces.” When visitors navigate the exhibition and flip through the pages, they perform a physical act, creating a multilayered realm that interweaves materiality, perception, time, and culture.

The concept of “flip” applies not only to books but also to featured artworks, object designs, culinary experiences, and even to different corners of the museum. Even when the process includes brief pauses or gaps, we still engage with it physically, experience it firsthand, and unveil a new landscape of our encounter.

Photos

  • The Desired End of Spirit - Lee Chu-hsin Solo Exhibition

  • Commedia dell Monde: The Quotidian Theater of Zdenek Janda

  • Entangled Garden for Plant Memory – A Solo-Exhibition of Janet Laurence

  • Tony Matelli: Arrangements

  • Artificial Landscape - City is Installation Art Cai Mengchang Limited Edition Puzzle

  • Realities of Ignorance - Designer Coaster Set

  • A Thousand Ways to Objecthood - Selected Drip Coffee Bags

  • The Desired End of Spirit - Lee Chu-hsin Solo Exhibition
  • Commedia dell Monde: The Quotidian Theater of Zdenek Janda
  • Entangled Garden for Plant Memory – A Solo-Exhibition of Janet Laurence
  • Tony Matelli: Arrangements
  • Artificial Landscape - City is Installation Art Cai Mengchang Limited Edition Puzzle
  • Realities of Ignorance - Designer Coaster Set
  • A Thousand Ways to Objecthood - Selected Drip Coffee Bags
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